Original: Diptych, pen and ink on cotton-based paper, archival; sold. Limited Edition (of 23) archival reproductions available. Museum frame, diptych, 51” T x 105” W (single frame dim. 51” x 51”).
The idiom "To look someone in the eyes." represents an act of unapologetic authenticity. The writing in this composition juxtaposes fragmentation of one’s personality to self-cohesion and authenticity.
Upon closer inspection, the written sentences appear to break the composition into fragments. Fragmentation occurs in the shadowed denial and/or repression of self-aspects important to true authenticity. These aspects often become unconscious yet influence behaviors and become projected onto others.
Some of our most noted psychologists and philosophers discovered that bringing light to these “shadow aspects” leads to wholehearted living and encourages the self-cohesion process leading to genuine authenticity. The individuation process begins to mend the fractures in our society as a whole.
Original: Diptych, pen and ink on cotton-based paper, archival; sold. Limited Edition (of 23) archival reproductions available. Museum frame, diptych, 51” T x 105” W (single frame dim. 51” x 51”).
The idiom "To look someone in the eyes." represents an act of unapologetic authenticity. The writing in this composition juxtaposes fragmentation of one’s personality to self-cohesion and authenticity.
Upon closer inspection, the written sentences appear to break the composition into fragments. Fragmentation occurs in the shadowed denial and/or repression of self-aspects important to true authenticity. These aspects often become unconscious yet influence behaviors and become projected onto others.
Some of our most noted psychologists and philosophers discovered that bringing light to these “shadow aspects” leads to wholehearted living and encourages the self-cohesion process leading to genuine authenticity. The individuation process begins to mend the fractures in our society as a whole.
Freehand pen and ink on archival cotton-based paper. Frame dim: 43“ T x 75” W. Original displayed at Christopher Martin Gallery in Aspen, CO. Limited edition archival reproductions available.
The ripple serves as a reminder of the profound effect we have on one another and our environment. The biosphere thrives through collaboration and symbiosis. These intricate and vitalizing interdependencies are why even the smallest of events alter the world, whether intended or not, whether aware or not. All is inextricably linked. Our individual and collective effects are rife and our state of mind regarding our mutuality with nature and man will leave an indelible mark on our future. Developing a consciousness of the ripple effect is the most important work we can do to frame a kinder, more brilliant future. In Aldous Huxley’s renowned last words, “Above all be kind”.
Freehand pen and ink on archival cotton-based paper. Original displayed at Christopher Martin Gallery in Aspen, CO. Limited Edition archival reproductions available. Frame dim: 51 “ W x 71” T
“When something vibrates, the electrons of the entire universe resonate with it. Everything is connected. The greatest tragedy of human existence is the illusion of separateness.” Albert Einstein
Trametes versicolors (turkey tail mushrooms) are one of the fruiting body of the mycelium network. Mycelium functions as an underground communication system connecting plant and tree root systems, enabling them to transmit information by sending chemical signals, some identical to human neurotransmitters. Discoveries of how mycelium enables communication across species divulge the remarkable world of symbiosis and challenges old beliefs that the natural world consists of entities in competition.
The words forming the mushrooms were drawn from research on the negative effects of separatism and the result of holding rugged individualism in such high esteem in our relationally dependent society. It also explores philosophies of metaphysics, works on complex natural processes and interconnectedness, and books, poems, and quotes on spiritual practices and beliefs that nurture oneness. Lastly, it looks at modern discoveries in quantum physics that draw extraordinary parallels to ancient principles regarding connection, giving us the empirical data to challenge the assumption that science is in opposition to spirituality.
Research and inspiration for this piece: Finding The Mother Tree by Suzanne Simard, Entangled Life by Dr. Merlin Sheldrake, The Kybalion by The Three Initiates, and quotes from Albert Einstein, Ram Dass, Rumi, Alan Watts, Terence Mckenna, Russel Brand, Dr. Marc Gadni, James Carse, Jordan Peterson, Paul Tamers, Dr. Roland Griffiths, and others. Turkey tail mushroom photograph by Warren Krupsaw.
Freehand pen and ink on archival cotton-based paper. Museum frame, 51 inches square. Original sold. Limited Edition (of 23) archival reproductions available, each unique with color embellishments done by hand.
Modern neuroscience provides empirical evidence that demonstrates the tremendous capacity of our brains to undergo remarkable transformations throughout our lives. This artwork delves into the avenues through which we can harness science and engage in self-experimentation (commonly known as biohacking) to enhance our emotional and physical well-being.
The visual representation of a slot canyon serves as a metaphorical depiction of neural pathways and the concept of plasticity. Just as bedrock, despite its apparent rigidity, reveals its malleability on the walls of the canyon, our brains and embodied cognition possess a remarkable adaptability akin to nature shaping bedrock.
Advancements in neurobiology, pharmacology, psychology, and technology have provided us with insights on how to guide and facilitate this transformative process, enabling us to break free from rigidity. The underlying text draws upon reputable data, esteemed studies, and philosophical perspectives to explore the potential of practices like meditation, Cognitive Behavioral Therapy, psychedelics, achieving flow states, breathwork, maintaining a balanced diet, and embracing positive psychology. These modalities have the capacity to improve our physical health, facilitate trauma healing, and fundamentally enhance our thoughts, emotions, and behaviors.
The work embodies ideas from neuroscientists, MDs, gurus, journalists, and life-hacks. Michael’s Pollan’s book, How To Change Your Mind, and Jamie Wheal and Steven Kotler’s, Stealing Fire inspired the artist throughout the creation of this piece.
Freehand typography in ink on archival cotton-based paper. Museum frame, 51 inches square.
Original sold. Limited Edition (of ten) archival reproductions available.
Snowmass Peak and Hagerman Peak from Snowmass Lake.
Evan’s Ascent embraces a young man’s perseverance, positivity, determination, and resolution that giving and receiving love is, in the end, the pinnacle of life.
Freehand typography in ink on archival cotton-based paper. Museum frame, 51 inches square. Original sold. Limited Edition (of 10) archival reproductions available.
The fine text embodies the philosophies on the mind’s eye, themes found within the topics of meditation, hindsight, visit, clairvoyance, foresight, introspection, and other relevant topics. If you look closer, you will find a hidden message in the pupil.
Freehand typography in ink on archival cotton-based paper.
Original sold. Limited edition (of 10) archival reproductions available. Frame Dim: 51 in. square
The symbolic use of seductive lips characterizes the objectification of the human body throughout the world. The fine print in this work is a broad look at Kalology: the study of beauty and the effect it has on society.
Freehand pen and ink on archival cotton-based paper. Original sold. Limited Edition (of 10) archival reproductions available. Framing Dim: 51 inches square.
Alice is captured at the moment she decides to follow the rabbit to Wonderland. The artist drew inspiration for this work from the deep curiosity that drives individuals to research and investigate things that interest them most. The fine text in this piece comes from the first chapter of Lewis Carroll’s “Alice in Wonderland”, Down The Rabbit Hole.
Original sold. Limited Edition (of 10) archival reproductions available. Museum frame: 51 inches x 51 inches.
Freehand typography in ink on archival paper. An ancient tree's cross-section reveals a poignant narrative: extinct species, categorized by the continents they called home, ordered by original homo sapien migration routes. Each ring whispers of time, weaving man's impact on nature's tapestry.
Freehand typography in ink on archival paper. Original sold. Limited Edition (of 10) archival reproductions available. Museum frame, 51 inches square.
This iconic image of the Little Prince standing on his planet embraces carefully selected philosophical passages illustrating the many valuable lessons learned throughout this timeless and beloved children’s book by Antoine Saint-Exupery.
Freehand typography in ink on archival cotton-based paper. Original sold. Limited Edition (of ten) archival reproductions available. Frame Dim: 51 inches square.
A figurative torso crops the head from the composition to visually instill the disconnect between the body and mind specifically found in Western Ideology. Forming the torso are passages from Lakoff and Johnson’s “Philosophy in the Flesh: the Embodied Mind & its Challenge to Western Thought”.
Freehand ink drawing on archival cotton-based paper. Original sold. Limited Edition (of 10) archival reproductions available. Museum quality frame (shown) measures 51 inches x 51 inches.
The composition, a topographic map, crops the city of Aspen, CO from the top of Aspen Mountain, through the downtown street grid, and north to the ridges of Red Mountain. The writing in the contours tells the city's rich history starting in the late 1800s and finishing in the 21st century. The artist also collected local aphorisms, colloquialisms and ski town proverbs little known beyond the valley to sprinkle some light-hearted laughs throughout the work.
Freehand pen and ink on archival cotton-based paper. Original sold. Limited Edition (of 10) archival reproductions available. Museum quality frame shown measures 51 inches x 67 inches.
As each fingerprint is an infallible means of lifelong personal identification, the writing between the ridges comprises of almost 4000 labels or personality characteristics that affect one’s identity at any given time. For example, if we label someone a criminal they are more apt to act criminally. The composition is a middle fingerprint with a scar embedded in the papillary ridges.